Even mistakes feel good because everybody’s together! You have these cool things happen – everybody just got excited for a minute and it speeds up – and it’s okay you know, because everybody did it together. When everybody’s playing together, it just almost always feels good. “With live stuff, it’s nice because I can sit close to the drummer and it’s just nice not to a have a click. I can get more of an attack and more control with a guitar than I can with my voice.” Did you miss recording live with the band? I can hit high notes with my voice but it sounds like Mickey Mouse! I can only get it with falsetto and when I think of falsetto I think of The Bee Gees. Not only a high note, but a good sounding high note. I like what comes out of it because I’m playing melodies a lot and it’s nice to have a high note if you need it. But the guitar is pretty reliable every time I pick it up. “My voice… well, it’s not a really reliable instrument! Sometimes I can get something good out of it, sometimes not. Werewolves Of Portland is another instrumental album – are you finished with singing? A few short months later Werewolves of Portland was completed – Paul’s 16th solo album and arguably his most accomplished to date.Īs ever, its difficult to pigeonhole stylistically: throughout the 10 tracks there’s elements of rock, pop, metal and everything in between, but at the forefront is Paul’s identifiable sense of melody, quickfire pentatonic lines, and the slide playing which has become a significant component of his technical repertoire in the last few years. Undeterred, Paul, a modestly accomplished drummer, keyboardist, and bass player, decided to pick up a set of sticks, a bass guitar, and a piano stool (not simultaneously of course) and lay down the entire rhythm section himself. So, the only option would be to postpone recording until COVID related restrictions are lifted, right? Wrong. However, recording a new album during a global pandemic was always going to be tricky for Paul given that he prefers to record live with a band. It has proved enormously successful and has been running for almost a decade.īut the yearn to create is never fully kept at bay with Paul. Since 2012, Paul has operated his own online Rock Guitar School, whereby students can study and exchange videos and have Paul critiques their playing then respond with his own video. Indeed, it’s this aspect of his profession that has kept him busy during the last 18 gig-less months. This amiable musical approach to life and a pure unadulterated love of guitar is what makes Paul such a respected tutor.
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